The tab you leave open all day.
Nothing here is a recording. Every note is composed and synthesised while you listen, and it has never played this before.
You cannot make it again.
There is a record button. Sixty seconds, and what comes out is the mix, every layer as its own file, and the room as another — built on your machine and handed straight to you.
What you cannot do is make that minute a second time. The noise and the reverb are drawn fresh every session and are not tied to the seed, so a take is the only copy of itself that will ever exist — ours included. The seed re-aims the composer. It does not reproduce the audio.
So if something extraordinary happens at 11:42 tonight and you were recording, you have it. If you were not, it happened, and then it was over. Either way you cannot repeat it, and neither can we.
You may use what you export in your own work, anywhere, including work you are paid for. You do not need to ask, and you do not need to credit Zenthysis. The one thing it does not cover is selling the files on as sound or sample packs.
The machine has never heard them. You can.
The voices the texture slider brings in were aimed at measurements taken from the records of the person behind Zenthysis. They’re released as Omnitemporal.
